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A Visual Diary: Early Works

Runaways, suicide attempts, body image issues, relationships, fears, family life, neurotic obsessions, explorations, marriage, motherhood, and life’s largest questions… it’s all there.

Looking back on an artist’s work is similar to reading someone’s diary. Simply put, art is a visual diary. Those who read my book “Open America” (journal excerpts and paintings from The Nomadic Project) may already understand this relationship. However, I now realize that this diary becomes clearer over the years. In fact, “read” in full and in chronological order, it could tell the entire life story of an artist. In addition, early art, while often very poor in technique, is usually the most raw and honest of work by an artist. It is less likely to be disguised by training, habits, style or even one specific medium.

Every time I clean out the studio, I find more old work shoved in boxes, tubes, and mildewed frames. The execution is awful but I still can’t bare to destroy the work since it reminds me who I am and how far I have come. Most of it has never been exhibited and much of it is unfinished. It was the work I created before calling myself an artist… back when I used to say, “I paint.” Galleries and jurors are rarely interested in work beyond 3 years old, and some pieces I’m a bit embarrassed to even claim. Yet, maybe some passionate collector will come by for a studio visit and fall in love with something that I have been tempted to trash. Or maybe I’ll finally just destroy it all when I run out of storage space. For now, it serves as a walk down memory lane just as my stack of old journals do. And I decided to even share a small selection in this post. You can piece together the visual story on your own but in order to prove the point of this post, I have also added a few captions…

Pull Yourself Together, 14x12", acrylic on board, 1997

I was an incredibly tortured teen (weren’t we all?). I would often get stuck within the deepest hollows of my mind and frequently ran away from home. Stubbornness and a poor relationship with my father earned me a swift kick out of the house at 15 yrs old. It also put me in the hospital twice after pitiful suicide attempts. I was able to bounce around the homes of friends and family until graduation and most importantly, this was the time in my life that I learned to master the “appearance of perfection.” I rarely missed school, graduated with honors and always smiled as I walked into a situation, despite any inner turmoil. I never wanted to be seen as damaged and just wanted to blend in. The above piece is the earliest painting that I have in my studio.

Starving, pencil on paper, 5x7.5", 2000

Seeing that I had a huge heart for children and caring for my younger siblings, my grandparents sent me on a mission trip in an attempt to “save” my troubled teenage soul. Upon return, I focused mainly on social issues with my work. Limited funds and resources led me to using pencil as my medium.

One Last Cry, pencil on paper, 13.5x25" 2001

Day/Night, watercolor, 10x13.5" 2002

I moved to FL and attempted to live with my parents again. Stifled and in a new place, I fell into old habits and once again ran (drove) away. I became lost within myself and completely narcissistic, building shallow relationships with the outside world.

Smile When Ready, ink and layered paper, 10.5x8", 2002

 

A Woman's Frame, watercolor pencil, 9.5x13.5, 2002

Sets of watercolor pencil and pastels were given to me from the son of the art store I worked at. They were the gateway back into color and blending. However, in “paradise” there is no old or imperfections. It was a completely uninspiring environment so I created images from my past.

Bulimia, pastel on paper, 24x23", 2002

 

Ever the Narcissist, acrylic on canvas, 24x36", 2002

Within a year, I had found an apartment, traveled to NYC and funded my way to London, Rome, Florence and Sorrento. I embraced my independence, but there was no way to avoid the narcissism. At age 19, this was pointed out to me when my boyfriend (now husband) titled one of my paintings “Ever the Narcissist.”

Jumping Tree, acrylic on canvas, 72x48", 2003

Finally feeling safe in a relationship with my soon to be husband, I began looking outward at the affects we have on one another. While painting large scale murals as an apprentice with artist Cary di Valentin I developed an obsession with framing tiny symbolic images and phrases. So I have a collection of large paintings and small drawings from this time.

One of Sorrow And Remorse, acrylic on canvas, 40x34", 2003

Swooning, acrylic on canvas, 40x36", 2003

 

Framed ink drawings, 3.25 x 1.5" matted and framed to 5x7"

Upon the Submersion of All Though And Belief, acrylic on canvas, 24x30", 2005

Marriage. House. Car. Comfortable…but not… The above piece sells for $814 to a complete stranger who ends up the host of my first “artist reception.” First article in a newspaper. Begin calling myself an artist.

Inside This Shell, acrylic on canvas, 24x30", 2005

I complete an entire series titled “Inhibitions,” host Open Studios in my new house and win my first non-education related award. Kennedy Promotions “Best of Florida,” with prize money and all.

See Lemmings to the Sea, acrylic on canvas, 36x24", 2005

Delicate, acrylic on canvas, 24x36", 2005

Enter Silence, acrylic on canvas, 60x36", 2005

The Never-ending Stairs, acrylic on canvas, 24x30", Ohio-inspired, 2006

50 paintings in 50 states in 50 galleries in just 13 months. The Nomadic Project. Press, recognition and representation around the country…it is the beginning of large collaborative work with husband, Alfonso Llamas. It is not an easy journey, but incredibly inspiring and certainly worth every hard-working moment.

While traveling, I become very interested in history, story telling and landscapes but retain and expand on a sense of realism and surrealism.

A Day of Infamy, A Lifetime of Grandeur, acrylic on canvas, 24x30", Arizona-inspired, 2006

Hush, acrylic on paper, 16 x 20" 2006

After the TNP dust settles, I fall back into myself a bit and pull comfort from a song that my mother sang to me as a child. The above piece wins a $1000 award by National Society of Arts and Letters. I also am honored by the State of Florida with my first artist grant.

Two-hundred Years of Poe, acrylic & ink on pieced canvas, 24x18”, 2008

I have my first child, and it may be the outside chaos pulling me from the inner chaos, but for the first time I feel a glimpse of peace. My lifestyle and painting style shift. I decide to travel less, take more commissions and get involved locally. I begin tearing apart and reconstructing my canvas before painting on it. I also include mirror written text pulled from my old journal entries. Everything begins to come together and I drop my maiden name in my signature. K. Abraham becomes K. Llamas. I still grow and develop daily, with new ideas boiling over and sometimes burning me, but I no longer cringe when I say “I am an artist.”

 

 

 

Paper Lanterns: Nashville Installation

Join us for the unveiling of 35 paper lanterns on April 6th at 12:30 pm on Deaderick St. in Nashville!

K Llamas with Nashville Paper Lanterns

CLICK HERE TO INTERACT WITH THE PROJECT ON FACEBOOK

NASHVILLIANS = STREET ART

We have partnered with the Tennessee State Museum to line the streets of Nashville with YOUR portraits for a large scale temporary street art project. Yes, we are turning amazing Nashvillians into art!!

We want to line Deaderick Street with paper lanterns and “illuminate” our citizens during the TEDxNashville event on April 6th, at the TPAC.

There will be a solor powered light within each of the 3′ x 4.5′ black and white portrait cubes, to make for a magical April Art Crawl featuring the amazing individuals that make our city great! Join us with your support to help fund the materials and installation and enjoy some awesome rewards such as seeing your face become street art!

WHO & WHY

Artists, Kristin Llamas and Alfonso Llamas are working to promote, engage and inspire the visual arts within Music City. Their slogan is “The World Hears Nashville, Now They SEE us.” This project, in partnership with the Tennessee State Museum furthers their mission to inspire and be inspired by visual art. It is an official INSIDE OUT by JR global art project and will be documented and shared with the world…we are bringing the world in, while sending Nashville around the globe.

Other INSIDE OUT projects around the world have created a beautiful impact, but Nashville’s trasformation is the first of its kind. These sculptural lanterns create a light box effect directly down the city street. This is Photography + Street Art at its core!

 

 

The Nomadic Project: Opening Exhibit at Springfield Inn Gallery

You are invited to view 20 pieces from The Nomadic Project Series. These original paintings on canvas are early works by museum collected artist, K. Llamas (aka Kristin Abraham).

Springfield Inn Gallery
2001 Memorial Blvd.

November 29 2012 – February 15, 2013

Middle Tennessee’s NEWEST ART Gallery officially OPENS Saturday Dec 1st! Join us on November 29th for a VIP sneak preview of the gallery’s very first exhibit, featuring original works from The Nomadic Project. The artist will be present at this event.

Llamas created fifty original paintings while traveling to all fifty states. Each painting is a representative of her experience in the particular state. The entire series has been exhibited around the nation as part of The Nomadic Project and is individually registered with the National Fine Arts Title Registry. The Tennessee State Museum recently acquired one of the paintings in this series for their permanent collection.

All original art is stretched canvas. Limited edition prints are available and every piece comes with registration details and artist appointed certificate of authenticity.

More info about The Nomadic Project at: www.TheNomadicProject.com

 

Should You Earn Less Than Minimum Wage?

Artists don’t produce on an assembly line and can only create so many original and “inspired” works a year (and lifetime), so let’s break down a professional art career to answer two HUGE questions in the art world: “Why is that painting so expensive? …and (for an artist)…. “How much do I charge for my work?”

**PLEASE NOTE: We are talking about Professional Fine Artists – not those out there bloating the industry with mass-produced, thoughtless work with hopes to sell to every tourist that walks by (that art is usually pretty cheap, but also usually unoriginal and uninspired)

“How long did it take you to paint that?”

People ask this all the time, looking for the answer to be in the # of hours I had the brush in my hand. Then they are annoyed when I say “My entire lifetime up until now.”

The truth is that little about the art is in the actual time creating it. In fact, if I have a clear vision, I can easily finish a piece in about 12 hours (broken up over three days to allow for canvas prep and drying time). Therefore, if I wanted to make $100/hr (yes, please) then I would only have to charge $1200 for the painting, right? Wrong.

90% of my work is sold through a gallery. Galleries typically take 50% of the sale. I now see only $600 of that $1200. Still $50/hr isn’t bad….However, that 12 hrs painting really only accounts for 10% of the time I spend working on my art career.

The Breakdown:

If you aren’t painting, what are you doing? Well, here’s a break down:

50% Marketing: a painting will never sell if no one knows it is there.

- Photographing and sharing new work through newsletters, website/blog, social media

- Entering competitions, exhibitions – you can’t expect the big bucks if you don’t have any credibility

-Attending openings, meetings with curators, proposing shows, managing a business (that’s right, art isn’t just a hobby for these professionals… we pay sales/income taxes and deal with proper licensing and paperwork)

 

30% Inspiration:

It is true that anything can inspire an artist, but most of the inspiration is garbage…it is our job to filter out the bad inspiration and create from the good (admittedly this is easier said than done…we often realize after finishing a piece that the inspiration was in fact, a flop)

- Dreaming up the concept…this comes from life experiences, day-dreaming, jolting awake in the middle of the night to scribble on a piece of paper, and writing on the shower wall in crayon. If we don’t have the vision, the painting will not be!

- Prioritizing: most ideas are never brought to fruition due to lack of time, money or a forgetful mind…they stay locked away in our heads or long forgotten.

 

20% Research:

-I have my ideas, now I need to research them for reference photos, relevance, sketches, and ask the question “has it already been done better?” (ex: I’m working on a museum exhibit that is going on a year of research and have not yet painted a single stroke)

 

10% Preparation:

-Gather the supplies, work space, time and mid-set to see this work come to be….and in my case, I sew and stretch my own canvas, so there is a lot of work involved before paint hits the palette. (See step by step blog on the ripping/sewing canvas and stretching that goes on)

 

10% Painting:

“Don’t bother me, I’m in my happy place!”

 

Ring It Up!

ALL RIGHT! So lets take another look at that $1200.

-50% went to the gallery representing the sale (can’t blame them for having to keep their lights on). So we have $600, which was $50/hr.

-Since that 12 hrs of actual painting was 10% of the total time working….(stick with me, math makes me cross-eyed)….then I actually spent 120 hrs to get to that $600. This means by charging $1200 for a painting that took me 12 hours, I don’t make $50/hr, I make $5/hr.

Wrap It Up!

Ding, ding, ding! Congratulations,….this sale just earned you LESS than minimum wage, and we didn’t even account for material cost (which adds up at $8/tube of paint)! You are now, a successful, award-winning, museum collected STARVING artist!!! (which ironically was what I told my mom I wanted to be at age 7….the other career choice was a farmer)

Artists and art lovers…after years and years of dedicated work to mastering our craft, we have two choices:

CHOICE #1. Charge what our time is really worth and hope that a client comes around who sees the value of investing in a completely original and one of a kind, limited edition (once we croak, the creating ends) piece of art for their walls….as opposed to purchasing a department store print that they will spend more money on the framing than the actual “art.”

CHOICE #2. Become a non-for-profit organization, write off all losses and realize that your art is enriching the lives of all (except your empty pantry)

 

CHEERS!

 

Who Works for You? Politician vs. Artist

SUPPORT YOUR POLITICIANS ARTISTS!

Here’s a quick look at how the two are working for you (WARNING…very biased, but incredibly true)

Artists K.Llamas and Stephen Watkins working on Inside Out: Nashville Action

The Artist:

- Not blinded by a struggle for power (we have none)

- Not driven by money (we have none…they don’t call us starving artists for nothing)

- Unshakable passion behind every work/show…why else would we continue if the result is no money or power?

- Work beautifies, memorializes, and unites communities with free exhibits, public sculptures, street art, planned spaces, inspiring imagery…(etc, etc, etc)

- Art raises the quality of life within everyone who experiences it…even those unaware of experiencing it (there is an artist behind every building, car, public space, article of clothing, home…etc, etc)

- Art creates community unity and pride, which leads to respect for a place and the people who inhabit it

- Artists are peaceful activists: making people more aware of local and global issues without aggressively forcing their opinions on others

- Little or no corruption or scandal! The purpose of our work is to expose… you can’t have secrets when you have nothing to hide…

 

The Politician:

Well…..I really ought to get back to painting now ;)

 

Get involved where the art is…

Participate in community art projects or start your art collection today… it can only lead to a more rewarding life, and you now know that you are supporting those who support you.

 

Community events/artists/ info that inspires:

 

 

 

Studio Re-Design

art studio

From a humble storage shed to a bright and functional Art Studio!

(photo of shed from outside)

RULE #1: Never under estimate the power of paint!

Most of this transformation took place by utilizing some left-over paint that we had (stored in the shed). The painted walls immediately transformed the space into a brighter and more “finished” space.

Before

After

RULE #2: Keep with the bare-necessities

The goal is to be functional so you can save your budget and space by only bringing in what you need to make it work…in this case, some narrow shelving (2×4′s between the studs) is good enough to keep paints up and organized.

KLlamas Painting

before

After

RULE #3: Make it work for you

There is no point in a great space if you can’t use it…in our case, we need a clean desk surface for computer work/big projects and making the space friendly for our 2 and 4 year old was a must (if I wanted to sneak in some extra studio time). A floor race track, a hammock swing, and some chalk…along with strategically placed shelves to keep reaching hands at bay…..seemed to do the trick!

racetrackhammock swing 

 

RULE #4: Enjoy!

 

My Child’s Art: A Masterpiece or Just A Mess?

How to Encourage “Cope” With Children’s Creativity

In response to a post on my Facebook Page (names have been changed):

The original post:

“So help me out here, maybe others reading this can relate: Danny, turning 5 in Oct, has been begging me to paint pictures. Fine, but this summer we’ve only had two weeks of sun, so while it shines, outdoor activities we do. Yesterday it rained, big shocker, so Danny remembered me telling him we only paint on rainy days. I couldn’t go back on my word, so we pulled out ALLLLLLL the painting things – it’s a chore in itself! I told him that if I pull it all out, he must paint for more than 10 mins. You know, “I’m bored mom, I’m done” after only coloring/painting for two mins. And then, I told him he must paint, not create a giant mess! You know, mixing all the colors on the plate and then painting in one spot, causing the paper to rip and in turn painting all over the dining room table. So, the question is, how do I cultivate this little desire to paint and have fun, but teach them to actually paint something of “substance?” I’ve already banned playdoh from the house for making too much of a mess, I can’t legitimately ban painting too because he just wants to make a mess, not actually paint. So help me out Oh Wonderful Artist! What do I do? And please, don’t tell me his mess is a beautiful creation because really, it’s just a mess! :-) Poor little guy, after he finished he asked if I liked it and I just looked at it with indifference and said, “I love it because you made it, but honestly, it looks like a mess to me!” To which he got this really pouty lip and said in his saddest of sad voices, “You don’t like it, do you mom!!!??” Ahh, what to say, what to do! Perhaps I need a little cultivating too!”

My Reply:

First, I want to begin with the fact that as I write this, my 4yr and 2yr old are on coloring on either side of me with crayons, making their own little “masterpieces.” Combined with my background as an art instructor of k-12, I am no stranger to young creatives! That said, I want to thank the writer for her candid honesty as any mother knows the amount of work that goes into cleaning the “messes” that accompany creativity! We don’t want to discourage the creativity, however if we overpraise everything a child does, they may grow up to assume everything they do is great despite the amount of effort. So I am providing my experiences on how to keep creativity from turning into cry-itivity! There are even some photos of the “masterpieces” that currently hang on our walls!

THE MESS

PROBLEM:

But it is so messy! I can relate… at 30, I still make huge messes as I create (this is why I need an entire paint-splattered studio). Even as adults creating, we know that the simplest crafts can become disasters so it would be hard to expect young hands to keep paint off the table and play-doh off the floor.

SOLUTION:

Time for you to get creative! Clean up is easier if you anticipate and ward off the mess. SO if your little nugget uses so much water that he paints holes through the paper, give them cardboard or canvas to paint on instead. If you are worried about the table, tape a trash bag down first. Play-doh on the rug? Only sculpt outside where the rain can wash away all those tiny chunks of clay that kids under 5 insist on making. Another tip: your old t-shirts work better than art aprons for painting (because we all know that paint can end up in crazy places)!

 

 

 

PAINT SOMETHING “GOOD!”

PROBLEM:

Let’s be honest, is the finished piece any “good?” Well, probably not….if compared to the Great Masters of fine art. BUT kids don’t care! Even professional artist’s rarely paint masterpieces, however they learn something with every work.  So take comfort in knowing that your little one is finding knowledge, joy, and expression in each creative session. There is a freedom and beauty in a child’s creativity. For them, it is all about the process and no concern for what others think about the final product!

“I used to draw like Raphael, but it has taken me a whole lifetime to learn to draw like a child” ~Picasso

SOLUTION:

Limit the palette. It is a fact that if you give a young child a paint blob of every color in the rainbow, they will quickly turn it into a puddle of brown. Kids don’t understand color theory! So if you really want them to paint something wall-worthy, limit their choices (teach them color blending techniques a little later in the game). A tip is to give them an analogous color scheme – or colors that are next to each other on the color wheel.  For example: only reds, oranges, yellows OR just blues and greens. But not red and green! They, and any colors across from each other on the color wheel are complementary colors (complementary colors mixed together = some ugly shade of brown). Keep it analogous and when the inevitable mixing begins, their work will be a blended masterpiece!

Color Wheel

Neutral palette: once dry add sketches

Limited palette: only greens and blues

 

 

 

 

 

 

 

 

 

Another tip which also helps keep or work with those short attention spans is to guide the project in steps. For instance, encourage them to paint a background and cover all the paper in their analogous colors. Then, let them take a break while the background dries and come back to add another layer…this time with crayon or ink. The following piece was created by my daughter’s when they were three and one. We painted different textures with different tools. I offered a foam brush for the background, a flower for the texture and their hands for the final layer. They rotated their colors for each step and the breaks between each color allowed them to play and refocus!

Left: Age of 3yrs, Right: Age of 1 1/2 yrs

Lastly, remember to have fun! While the process may only last a short 10 min, the developmental experience and the memories will last them a life-time. And as they grow, so will their neatness and skill. Creativity is key to surviving in today’s world. Even if there is no chance that your child will become a professional artist, they will use creative thinking and problem solving (even some glue and paint) throughout their entire life. Take pictures of them creating or of the final piece (so you don’t have to save them all) and embrace the mess…after all, whether they use paint or mud kids will always find something to “create” with.

As they grow, paintings will grow too!

Painting Step by Step

Here’s the first time that I’ve captured my painting process from beginning to end. This piece is for the Tomato Art Fest in Nashville, TN.

Here’s what it took to complete…

researching inside of tomato

Step #1: Research subject.

measuring canvas for painting

Step #2: Measure canvas.

tearing canvas

Step #3: Tear canvas.

sketching composition for painting

Step #4: Composition sketch.

sewing canvas together

Step #5: Sew canvas.

Step #6: Painting texture on canvas. This time lapse video illustrates the first layer of paint that goes on to the canvas, creating texture and depth to the work.

building stretcher bars for painting

Step #7: Have husband build stretcher bars.

stretching canvas for painting

Step #8: Stretch canvas.

sketching subjects onto painting

Step #9: Sketch subjects.

Step #10: Paint realistic tomatoes and make time lapsed video recording showing the layering of acrylic paint to create a vibrant basket of tomatoes.

Step #11: Paint more. Draw. Include scientific sketches and sign painting.

wire painting for hanging

Step #12: Wire for hanging.

varnish painting

Step #13: Varnish painting.

K Llamas Painting for Tomato Art Fest

Step #14: Photograph painting.

Delivering painting

Step #15: Deliver painting to gallery.

K Llamas Painting for Tomato Art Fest

There you have it the 15 steps that it took to complete this piece for the Tomato Art Fest! Hope to see you there!

Creative = Earth Friendly

A unique take on bringing vegetables to the table.

While my daughters rest on this beautiful Earth Day, I am restless. I can’t work on my current painting because I am waiting for my sweet hubby to finish building stretcher bars. I try working on the quilt that my mother pieced together for my eldest daughter…but my mind is too busy for hand-quilting. Instead, I keep thinking about the fact that it is Earth Day. Today also happens to be my brother’s birthday so I suppose I never put much weight into the whole Earth Day celebration. In fact, holiday’s like this have always annoyed me because I think “well, shouldn’t every day be Earth Day?” But in reality, it isn’t. Just like we should appreciate our mothers every day and not just on “Mother’s Day.” The sad fact is that we should, but we don’t. So maybe taking a day to stop and re-evaluate the way we care for our earth is not such a strange idea. After all, I would not have thought to stop and teach my 4yr old about “Reduce, Reuse and Recycle” if it weren’t for talking to her about Earth Day. She knows where the “recycling” is and she sees me “reuse” pickle jars, yogurt containers etc, and we certainly have “reduced” our lifestyle down to the bare bone necessities. However, these choices had more to do with leaving our 9-5′s to pursue careers out of doing what we love. They weren’t so much about saving the planet as much as they were about surviving on a feast/famine income. With all of that said, I can’t help but think about how much America tends to focus on the “recycle” side of things. In my opinion, if we reduce and reuse more often, then there is less to recycle in the end.

Now I look around my home…my closet is full of perfectly good hand-me-downs from older sisters with great taste and big budgets. 90% of my furniture is also handed down or an amazing yard sale find. Some of my favorite pillows were made from my sister’s old duvet cover. Another, I made from one of her out-dated skirts. I cringe every time I spend (waste) a dollar. While friends and family have referred to me as cheap, I like to think of it as resourceful. This is how we HAVE to live in order to follow our dreams of being “work-at-home” parents. We make these choices to pursue our passions and provide the opportunity for our children to turn to their mother or father any time of day, any day of the week. But even if that weren’t the case, I truly believe resourcefulness stems from creativity. Since both my husband and I make a living off of our creativity, it is only natural for our world to be built from reducing and reusing.

In fact, for two years we actually stopped recycling. All our friends gave us a hard time, however the items that I saw going into their recycling were usable treasures to me! Why waste the energy to turn something old into something new when that butter container works just as well for storing leftovers as the expensive tupperware? Do you really need to buy wrapping paper or can you reuse newspapers, magazines, etc? Does it make more sense to trash it or creatively re-purpose it? After all, handmade paper is actually pretty trendy right now! While we are now recycling again, I find it all too easy to just recycle things without thinking about what I can use them for. But the goal should not be to simply recycle, we should want to limit all trash AND recycling to the minimum! We’ve never labeled ourselves as “conservationists” or jumped on any “Save the Planet” bandwagons. In fact, there are a lot of changes we should be making to conserve water and energy. But reducing, reusing, small square footage and only owning one car is simply our chosen lifestyle…which apparently turns out to be pretty “green.”

In conclusion, my challenge to myself and everyone else is to stop throwing our cardboard, paper, plastic, glass and aluminum directly into the recycle bin. First, see if it can be reused. Go a step further and think about something you want to have and before you go buy it, ask yourself “can I make this out of something I already have?” Shop in your own closet, repurpose old furniture. Selfishly, I will be sad to lose your great donations at the thrift stores that I frequent, but for the sake of the earth I’ll manage! This challenge is to simply utilize your creativity, and it turn become more earth friendly!

Because being creative seems to me as Earth Friendly as it gets! Happy Earth Day!

“Our Time” Exhibition: October 2012

Nashville Arts Magazine: October 2012

OCTOBER 2012

Artist Reception: Wednesday, October 10th, 7-9 pm

Music Provided by Tom Shinness

Gordon JCC Nashville

801 Percy Warner Boulevard
Nashville, TN 37205
(615) 356-7170

 

New work by Nashville artist, Kristin Llamas.

“Our Time,” features the ten newest paintings by Kristin Llamas, debuting works such as “Raising Paper Dolls” and “Remnants of Home.” This is the last exhibition of new work that Kristin Llamas will exhibit before her Fall of 2013 solo show at the Parthenon Museum.

In this exhibit, the viewer will experience abstract texture and layers of realism along with Llamas’ signature style of piecing the canvas. Themes address the artist’s views on the state of American society surrounding: child-rearing (in Raising Paper Dolls), work ethic (Join Me for Tea), the ominous state of our economy (When Good Things End) and the quest for calm amongst chaos (Remnants of Home).

Llamas states, “This exhibit exposes a longing peace amongst a subtle but unsettling feeling. That feeling may be the boiling of change to come, or just the acceptance of what currently is. It is a place of ominous peace. It is a place of insecurity and fear, as well as comfort and anticipation. It is ‘Our Time.’”

Remnants of Home, Oil & acrylic on pieced canvas, 36x60"

Join Me For Tea, Oil & acrylic on pieced canvas, 32x51"